swimsuitclad women gathered on Miami-Dade's Nikki Beach photo

Meet some of Florida's Finest
Last weekend, hundreds of swimsuitclad women gathered on Miami-Dade's Nikki Beach Club on South Beach to spell out C-O-S-M-O in the sand for an aerial photograph that will be featured in the August 2009 issue of Cosmopolitan magazine. It was billed as " North America's largest bikini bash" and was presented by Nivea.



There were beauty loot gift bags, free designer bikinis, a "beach beauty" photo booth, back and leg massages, hunky male sunscreen ambassadors , free fitness training, airbrush tattoos and a DJ spinning the hottest tunes.

Florida Courier photojournalist Kim Gibson caught all the action. We don't know who they are or whether they are native Floridians, but they still qualify as three of Florida's Finest.


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Funeral to which a celebrity is invited to and how?

When a celebrity, often a small, private funeral "announce death. They looky-Loos keep security hazard? What they do and how you can keep what you know? There is a guest? They send an invite?

Oh, there is safety in the funeral a celebrity's all right, and Natasha Richardson will be the instant services. Put is this way: If your grandmother, a celebrity host for a funeral on the cemetery are buried, the day our ancestors is not a prerequisite for travel. Or death, you probably will not find in the celebrities and their privacy, and not in the family comes first.

"If this is a memory, you may send a written invitation," veteran Hollywood Howard Bragman publishes a number of celebrities who have participated in the funeral. "But if there is a funeral, all the invitations via e-mail or phone calls are made."

And security is usually heavy. "You are a graveyard for all inputs " Bragman said. "Moreover, a very good - people around the family's size. You are not talking just one or two guard.

If a funeral in a church, private home or cemetery is not held, the organizers to hold a class in the Directors Guild and Writers Guild in May Bragman light. When guests, or a guard on this list come from a person designated the clipboard with a check for people, let us begin. And what about, say, Lauren Bacall, and shows his respect for payment? And gasp - he is not on the list?

"Normally there are some who Schmoe still see the family and a friend", and not go for it and to handle the demands that the family is talking with security. "

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44th Annual National Magazine Awards Announced

2009 National Magazine Awards Finalists,ASME Announces 2009 National Magazine Award Finalists
GENERAL EXCELLENCE

Chief Executive of the American Society of Magazine Editors (ASME), today announced the finalists for the 44th annual National Magazine Awards, the magazine industry’s highest honor. Named after the Alexander Calder stabile Elephant, the Ellies celebrate the talented writers, photographers, designers and editors whose dedication and creativity drive the success of magazines. Twenty-six winners will be announced at a gala event on April 30, at New York City’s Jazz at Lincoln Center, Frederick P. Rose Hall.

Under 100,000 circulation The American Scholar: Robert Wilson, editor, for Spring, Summer, Autumn issues. Aperture: Melissa Harris, editor-in-chief, for Spring, Summer, Fall issues. Bidoun: Lisa Farjam, editor-in-chief, for Winter, Spring/Summer, Fall issues. Print: Joyce Rutter Kaye, editor-in-chief, for February, April, October issues. The Virginia Quarterly Review: Ted Genoways, editor, for Winter, Summer, Fall issues.	100,000 to 250,000 circulation Foreign Policy: Moisés Naím, editor-in-chief, for January/February, March/April, May/June issues. Los Angeles Magazine: Kit Rachlis, editor-in-chief, for February, May, November issues. Mother Jones: Monika Bauerlein and Clara Jeffery, editors, for March/April, May/June, November/December issues. Paste: Josh Jackson, editor-in-chief, for July, August, October issues. Time Out New York: Michael Freidson, editor, for June 12-18, December 11-17, December 18-31 issues.
250,000 to 500,000 circulation The Atlantic: James Bennet, editor, for July/August, November, December issues. Backpacker: Jonathan Dorn, editor-in-chief, for June, October, November issues. New York: Adam Moss, editor-in-chief, for March 24, June 23, October 6 issues. Texas Monthly: Evan Smith, president and editor-in-chief, for May issue; Evan Smith, president and editor-in-chief, Jake Silverstein, editor, for November, December issues. W: Patrick McCarthy, chairman and editorial director, for September, October, November issues.	500,000 to 1,000,000 circulation The Economist: John Micklethwait, editor-in-chief, for October 4, November 1, December 20 issues. Fast Company: Robert Safian, editor and managing director, for June, September, November issues. GQ: Jim Nelson, editor-in-chief, for July, September, November issues. Runner’s World: David Willey, editor-in-chief, for May, September, October issues. Wired: Chris Anderson, editor-in-chief, for February, April, November issues.
1,000,000 to 2,000,000 circulation Bon Appetit: Barbara Fairchild, editor-in-chief, for September, October, December issues. Field & Stream: Anthony Licata, editor, for May, June, December/January issues. The New Yorker: David Remnick, editor, for February 11 & 18, May 26, November 17 issues. Popular Science: Mark Jannot, editor-in-chief, for July, September, November issues. Vogue: Anna Wintour, editor-in-chief, for March, April, August, issues.	Over 2,000,000 circulation Martha Stewart Living: Martha Stewart, founder; Michael Boodro, editor-in-chief, for August, October, November issues. National Geographic: Chris Johns, editor-in-chief, for May, July, September issues. Reader’s Digest: Peggy Northrop, editor-in-chief, for June, August, September issues. Real Simple: Kristin van Ogtrop, managing editor, for February, September, December issues. Time: Richard Stengel, managing editor, for April 7, September 15, September 29 issues.

SINGLE-TOPIC ISSUE

This category recognizes magazines that have devoted an issue to an in-depth examination of one topic. It honors the ambition, comprehensiveness and imagination with which a magazine treats its subject.

• Atlanta Magazine: Rebecca Burns, editor-in-chief, for King: 40 Years Later, April.
  
• IEEE Spectrum: Susan Hassler, editor-in-chief, for Special Report: The Singularity, June.
  
• New York Magazine: Adam Moss, editor-in-chief, for The Birth of the Modern City: 1968-2008, October 6.
  
• Newsweek: Jon Meacham, editor, for How He Did It, November 17.
  
• Saveur: James Oseland, editor-in-chief, for A World of Breakfast, October.

MAGAZINE SECTION

This category recognizes excellence of a regular, cohesive section of a magazine, either front- or back-of-book and composed of a variety of elements, both text and visual. Finalists are selected based on the section’s voice, originality, and unified design and packaging.

• Best Life: David Zinczenko, editorial director; Stephen Perrine, editor-in-chief, for It Works for Me section, February, September, October.
  
• Golf Digest: Jerry Tarde, chairman and editor-in-chief, for The Digest section, March, April, May.
  
• Newsweek: Jon Meacham, editor, for its Periscope section, February 25, June 30, December 29/January 5.
  
• O, The Oprah Magazine: Oprah Winfrey, founder and editorial director; Amy Gross, editor-in-chief, for its Reading Room section, February, May, October.
  
• Wired: Chris Anderson, editor-in-chief, for its Start section, September, October, December.

REPORTING

This category recognizes excellence in reporting. It honors the enterprise, exclusive reporting and intelligent analysis that a magazine exhibits in covering an event, a situation or a problem of contemporary interest and significance.

• Fast Company: Robert Safian, editor and managing director, for China Storms Africa, by Richard Behar, June.
  
• GQ: Jim Nelson, editor-in-chief, for Papa, by Sean Flynn, April.
  
• GQ: Jim Nelson, editor-in-chief, for The Longest Night, by Sean Flynn, December.
  
• The New York Times Magazine: Gerald Marzorati, editor-in-chief, for Right at the Edge, by Dexter Filkins, September 7.
  
• The New Yorker: David Remnick, editor, for Making It, by Ryan Lizza, July 21.

PUBLIC INTEREST

This category recognizes journalism that sheds new light on an issue of public importance and has the potential to affect national or local debate or policy.

• Bicycling: Loren Mooney, editor-in-chief, for Broken, by David Darlington, January/February.
  
• BusinessWeek: Stephen J. Adler, editor-in-chief, for Do Cholesterol Drugs Do Any Good?, by John Carey, January 28.
  
• Mother Jones: Monika Bauerlein and Clara Jeffery, editors, for Torture Hits Home, by Peter Bergen,
  Michael Mechanic, Justine Sharrock, Eric Umansky, and JoAnn Wypijewski, March/April.
  
• Newsweek: Jon Meacham, editor, for We Fought Cancer...and Cancer Won, by Sharon Begley, September 15.
  
• Vanity Fair: Graydon Carter, editor, for The Green Light, by Philippe Sands, May.

FEATURE WRITING

This category recognizes excellence in feature writing. It honors the stylishness and originality with which the author treats his or her subject.

• The Atlantic Monthly: James Bennet, editor, for A Boy's Life, by Hanna Rosin, November.
  
• Esquire: David Granger, editor-in-chief, for The Things That Carried Him, by Chris Jones, May.
  
• GQ: Jim Nelson, editor-in-chief, for The Long Shadow of War, by Kathy Dobie, January.
  
• Harper’s Magazine: Roger D. Hodge, editor, for Bleak Houses, by Paul Reyes, October.
  
• The New Yorker: David Remnick, editor, for Up and Then Down, by Nick Paumgarten, April 21.

PROFILE WRITING

This category recognizes excellence in profile writing. It honors the vividness and perceptiveness with which the writer brings his or her subject to life.

• Esquire: David Granger, editor-in-chief, for Steve Jobs and the Portal to the Invisible, by Tom Junod, October.
  
• GQ: Jim Nelson, editor-in-chief, for Let God Love Gene Robinson, by Andrew Corsello, July.
  
• The New York Times Magazine: Gerald Marzorati, editor-in-chief, for Chris Matthews, Seriously..., by Mark Leibovich, April 13.
  
• Rolling Stone: Jann Wenner, editor and publisher; Will Dana, managing editor, for The Lost Years and Last Days of David Foster Wallace, by David Lipsky, October 30.
  
• Vanity Fair: Graydon Carter, editor, for Robert Frank's Unsentimental Journey, by Charlie LeDuff, April.

ESSAYS

This category recognizes excellence in essay writing on topics ranging from the personal to the political. Whatever the subject, emphasis should be placed on the author’s eloquence, perspective, fresh thinking and unique voice.

• The Antioch Review: Robert S. Fogarty, editor, for Vickie's Pour House: A Soldier's Peace, by Maureen McCoy, Winter.
  
• Backpacker: Jonathan Dorn, editor-in-chief, for The Source of All Things, by Tracy Ross, February.
  
• Glamour: Cynthia Leive, editor-in-chief, for I Want My Life Back, by Andrea Coller, June.
  
• Harper’s Magazine: Roger D. Hodge, editor, for Mandela's Smile, by Breyten Breytenbach, December.
  
• The New Yorker: David Remnick, editor, for Making Toast, by Roger Rosenblatt, December 15.

COLUMNS AND COMMENTARY

This category recognizes excellence in short-form political, social, economic or humorous commentary. It honors the eloquence, force of argument and succinctness with which the writer presents his or her views.

• Automobile: Jean Jennings, president and editor-in-chief, for three columns by Jamie Kitman, They Fought the Laws (of Supply and Demand), and the Laws Won, September; Lease Me to the Moon: The Rise and Fall of Consumer Finance?, November; Bailout Time for the Big Three. None Dare Call them Republicans, December.
  
• The Nation: Katrina vanden Heuvel, editor and publisher, for three columns by Naomi Klein, Disowned by the Ownership Society, February 18; Obama, Being Called Muslim is Not a Smear, March 17; Obama's Chicago Boys, June 30.
  
• The New Republic: Franklin Foer, editor, for three columns by Jonathan Chait, Obama Nation, February 13; Popular Will, May 7; Scared Yet?, December 31.
  
• The New Yorker: David Remnick, editor, for three columns by Hendrik Hertzberg, Foreigners, August 4; Like, Socialism, November 3; Eight is Enough, December 1.
  
• Sports Illustrated: Terry McDonell, editor, for three columns by Selena Roberts, Missing Masters of Augusta, April 21; Time for Some Horse Sense, May 26; The Healing Season, September 1.

REVIEWS AND CRITICISM

This category recognizes excellence in criticism of art, books, movies, television, theater, music, dance, food, dining, fashion, products and the like. It honors the knowledge, persuasiveness and original voice that the critic brings to his or her reviews.

• The Atlantic: James Bennet, editor, for three columns by Sandra Tsing Loh, Tales Out of School, March; I Choose My Choice!, July/August; Should Women Rule?, November.
  
• The Nation: Katrina vanden Heuvel, editor and publisher, for three columns by William Deresiewicz, Foes, February 25; Homing Patterns, October 13; How Wood Works, December 8.
  
• New York: Adam Moss, editor-in-chief, for three columns by Justin Davidson, Reconstructionist Judaism, January 14; The Glass Stampede, September 15; One's Huge, the Other's Crazy, September 22.
  
• New York: Adam Moss, editor-in-chief, for three reviews by David Edelstein, Play It Again, May 19; Bat Out of Hell, July 21; 'Tis the Season..., December 22-29.
  
• The New Yorker: David Remnick, editor, for three columns by James Wood, Say What?, April 7; The Homecoming, September 8; Wounder and Wounded, December 1.

FICTION

This category recognizes excellence in magazine fiction writing. It honors the quality of a publication’s literary selections.

• The American Scholar: Robert Wilson, editor, for Royal Blue, by Charles Baxter, Spring; Happy with Crocodiles, by Jim Shepard, Summer.
  
• The New Yorker: David Remnick, editor, for Clara, by Roberto Bolaño, August 4; The Dinner Party, by Joshua Ferris, August 11 & 18.
  
• The New Yorker: David Remnick, editor, for Them Old Cowboy Songs, by Annie Proulx, May 5; The Noble Truths of Suffering, by Aleksandar Hemon, September 22.
  
• The Paris Review: Philip Gourevitch, editor, for Departure, by Alistair Morgan, Summer; The Lover, by Damon Galgut, Winter.
  
• The Virginia Quarterly Review: Ted Genoways, editor, for Asal, by Sana Krasikov, Summer; Tale of the Teahouse, by Kanishk Tharoor, Summer.

PERSONAL SERVICE

This category recognizes excellence in service journalism. The advice or instruction presented should help readers improve the quality of their lives in areas that are core to their personal well-being.

• Esquire: David Granger, editor-in-chief, for Retool, Reboot, Rebuild, by Mehmet Oz, M.D., and Michael Roizen, M.D., May; Seventy-Five,by Susan Casey, May.
  
• Family Circle: Linda Fears, editor-in-chief, for Power Play, by Scott Alexander, November 1.
  
• Health: Ellen Kunes, editor-in-chief, for a three-part series, Read This Before You Go to the Hospital, by Lorie A. Parch, July/August; Danger at Your Doctor’s Office, by Lorie A. Parch, September; Warning: This Rx May Be Harmful to Your Health, by Cara Birnbaum, November.
  
• More: Lesley Jane Seymour, editor-in-chief, for The Endangered Uterus, by Peg Rosen, December/January.
  
• Prevention: Liz Vaccariello, senior vice president/editor-in-chief, for Is Your Parent Overmedicated?, by Siri Carpenter, December.

LEISURE INTERESTS

This category recognizes excellent service journalism about leisure-time pursuits. The practical advice or instruction presented should help readers enjoy hobbies or other recreational interests.

• Esquire: David Granger, editor-in-chief, for The Esquire Enclyclopedia of Sandwiches, by Scott Raab, March.
  
• Esquire: David Granger, editor-in-chief, for The Esquire Almanac of Steak, September.
  
• Field & Stream: Anthony Licata, editor, for Best of Summer Fishing, by John Merwin, June.
  
• The New Yorker: David Remnick, editor, for three columns by Patricia Marx, Buy Shanghai!, July 21; Sole Sisters, September 1; The Price is Right, December 8.
  
• Texas Monthly: Evan Smith, president and editor-in-chief, for BBQ08, June.

DESIGN

This category recognizes excellence in magazine design. It honors the effectiveness of overall design, artwork, graphics and typography in enhancing a magazine’s unique mission and personality.

• Bon Appétit: Barbara Fairchild, editor-in-chief; Matthew Lenning, design director, for July, August, December issues.
  
• Good: Zach Frechette, editor-in-chief; Scott Stowell, design director; Casey Caplowe, creative director, for January/February, March/April, May/June issues.
  
• GQ: Jim Nelson, editor-in-chief; Fred Woodward, design director; Jim Moore, creative director, for June, November, December issues.
  
• New York: Adam Moss, editor-in-chief; Chris Dixon, design director, for March 24, June 9, October 6 issues.
  
• Wired: Chris Anderson, editor-in-chief; Scott Dadich, creative director; Wyatt Mitchell, design director, for February, June, November issues.

PHOTOGRAPHY

This category recognizes excellence in magazine photography. It honors the effectiveness of photography, photojournalism and photo illustration in enhancing a magazine’s unique mission and personality.

• Bon Appétit: Barbara Fairchild, editor-in-chief; Matthew Lenning, design director; Elizabeth Mathews, photo editor, for August, September, October issues.
  
• GQ: Jim Nelson, editor-in-chief; Fred Woodward, design director; Jim Moore, creative director; Anton Ioukhnovets, art director; Dora Somosi, director of photography, for August, November, December issues.
  
• National Geographic: Chris Johns, editor-in-chief; David Griffin, director of photography; Kurt F. Mutchler and Susan A. Smith, deputy directors, photography, for May, July, November issues.
  
• T, The New York Times Style Magazine: Gerald Marzorati, editor-in-chief; for August 17, September 7, December 7 issues.
  
• W: Patrick McCarthy, chairman and editorial director; Dennis Freedman, creative director; Edward Leida,
  group design director; Nathalie Kirsheh, art director; Nadia Vellam, photo editor, for March, April, September issues.

PHOTOJOURNALISM

This category recognizes the informative photographic documentation of an event or subject in real-time. Photo essays accompanied by text are judged primarily on the strength of the photographs.

• Harper’s Magazine: Roger D. Hodge, editor; Stacey D. Clarkson, art director, for Life and Death, photographs by Lynsey Addario, November.
  
• National Geographic: Chris Johns, editor-in-chief; David Griffin, director of photography; Kurt F. Mutchler and Susan A. Smith, deputy directors, photography, for Who Murdered the Virunga Gorillas?, by Mark Jenkins, photographs by Brent Stirton, July.
  
• The New York Times Magazine: Gerald Marzorati, editor-in-chief, for A Cutting Tradition, by Sara Corbett, photographs by Stephanie Sinclair, January 20.
  
• The New York Times Magazine: Gerald Marzorati, editor-in-chief, for The Children of God, by Sara Corbett, photographs by Stephanie Sinclair, July 27.
  
• Time: Richard Stengel, managing editor; Arthur Hochstein, art director, for The Forgotten Plague, by Alice Park, photographs by James Nachtwey, October 13.

PHOTO PORTFOLIO

This category honors creative photography and photo illustration.

• Bon Appétit: Barbara Fairchild, editor-in-chief; Matthew Lenning, design director; Bailey Franklin, photo editor; Robert Festino, senior art director, for A Heritage Feast, by Nancy Oakes and Pamela Mazzola; photography portfolio by Tim Morris, November.
  
• GQ: Jim Nelson, editor-in-chief; Fred Woodward, design director; Jim Moore, creative director; Dora Simosi, director of photography; Anton Ioukhnovets, art director; Krista Prestek, senior photo editor, for Who It Takes, photographs by Jeff Riedel, November.
  
• Gourmet: Ruth Reichl, editor-in-chief; Richard Ferretti, creative director; Erika Oliveira, art director; Amy Koblenzer, photo editor, for Out of Sight, recipes by Shelley Wiseman; photographs by Romulo Yanes, December.
  
• The New Yorker: David Remnick, editor; Elisabeth Biondi, visuals editor, for Service, portfolio by Platon, September 29.
  
• W: Patrick McCarthy, chairman and editorial director; Dennis Freedman, creative director; Edward Leida, group design director; Nathalie Kirsheh, art director; Nadia Vellam, photo editor, for Come on Down to Nawlins, photographed by Bruce Weber; styled by Karl Templer, April.

GENERAL EXCELLENCE ONLINE

This category recognizes excellence in magazine websites, as well as online-only magazines that publish original content. The site must convey a distinct editorial identity and create a unique magazine environment on the web.

Less than 1,000,000 average monthly unique visitors Backpacker.com (www.backpacker.com): Jonathan Dorn, editor-in-chief; Anthony Cerretani, online editor MotherJones.com (www.motherjones.com): Clara Jeffery and Monika Bauerlein, editors-in-chief Parenting.com (www.parenting.com): Rachel Fishman Feddersen, director RunnersWorld.com (www.runnersworld.com): David Willey, editor-in-chief; Mark Remy, executive editor; George Vlahogiannis, executive producer Triple Canopy (www.canopycanopycanopy.com): Sam Frank and Alexander Provan, editors; Caleb Waldorf, creative director

1,000,000 and above average monthly unique visitors BusinessWeek.com (www.businessweek.com): Stephen Adler, editor-in-chief Chow.com (www.chow.com): Jane Goldman, editor-in-chief Nationalgeographic.com (www.ngm.com): Chris Johns, editor-in-chief; Rob Covey, creative director and managing editor, ngm.com Nymag.com (http://nymag.com): Adam Moss, editor-in-chief; Kelly Maloni & Ben Williams, co-editors, nymag.com Time.com (www.time.com): Josh Tyrangiel, managing editor, Time.com; assistant managing editor, Time

PERSONAL SERVICE ONLINE

This category recognizes excellent service journalism on the Web. The practical advice or instruction presented should help readers either improve the quality of their personal lives or enjoy recreational pursuits. The category honors a site’s effective use of multimedia technology that users can act on.

• Backpacker.com – Maps Project (www.backpacker.com/hikes): Jonathan Dorn, editor-in-chief; Kris Wagner, Map Editor
• CNNMoney.com – Ultimate Guide to Retirement (http://money.cnn.com/retirement/guide): Craig Matters, managing editor, Money; Chris Peacock, editor/vice president, CNNMoney.com
  
• Gourmet.com – Favorite Cookies: 1941-2008 (www.gourmet.com/recipes/cookies): Ruth Reichl, editor-in-chief; Adam Houghtaling, editorial director
  
• Health.com – Journey (www.health.com): Scott Mowbray, editorial director
  


• RunnersWorld.com – Half-Marathon Challenge (www.runnersworld.com): David Willey, editor-in-chief; Mark Remy, executive editor; George Vlahogiannis, executive produce.

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Chantelle in green ‘Astroturf’ bikini photo

NICE grass, love! It is bound to be a pitch invasion when Chan Telle Houghton supporters see this.

The Wag wobbled up and down on the beach in an Astroturf-look bikini, prove to the world that under the surface, she has a cracking personality. The 32DD hottie, 25, showed her themes footie kit for a break in Mexico.



A fire Sunday seeker said: "Chan Counting was turning her head body - and your stomach with her swimwear. It looked like moss on her chest."

Not that she crocked Spurs guy Jermaine Defoe, 26, mind. They were recently reunited after she dumped him for being a "tough guy to rely on."


News from newsoftheworld.co.uk

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Rihanna’s New Bikini Photos in Mexico Surface

Rihanna’s New Bikini Photos in Mexico Surface After Alleged Assault


As recently reported, the beautiful pop singer Rihanna, who was now believed to be still poor Bruised, was recently photo'd a sexy bikini equipment in Mexico for alleged abuse incident with her boyfriend Chris Brown, which occurred before the night of the Grammys. Well, new and sharp images of the singer in her sexy bikini equipment has now surface.



Rihanna can be seen in bikini photographs taken with no visible marks anywhere near equal to the recently published Bruised picture of Rihanna after the alleged assault.

Rihanna actually looks beautiful standing by the pool with her wet hair and glimmering body, even if she had a bit of a sad and depressed look on her face.


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Miss March teen-time comedies-sexual crassness and sexist button

Zach Cregger, Trevor Moore, and Raquel Alessi star in a film written and directed by Cregger and Moore.

Miss March takes its rightful place in the store, ignoble American parade of teenagers time comedies as profane and morally to do a push-me-pull-you dance.Finally, as in the films marked with the name "Apatow," the sexual crassness and sexist button-pushing gives way to the realization moralizing about the greater good, and that is "good" girl is a higher goal than to get a girl "in a more general, the best sex-win paradigm. The formula gives and gives, and keeps to a surprisingly conservative agenda, despite the appearance of some rebel creed on the surface.

A presentation of this model is that the comedy engine misfires so regularly that we have a tendency to pull out of the brazen spirit of things and instead looks at it with compassion and professional interest: here, after all, is a possible candidate for the year 's most unfunny comedy.

It's almost remarkable when a scene right in the movie is le-loud funny. Ironically, the scene in question is an almost sexual encounter with a woman in a bed, a bug-eyed young man, a trip by bus, and a Bump in the road.
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Emmy Rossum Unclothes photos will come into view on Details magazine

"Dragonball Evolution" beauty Emmy Rossum in some racy pictures revealed details of her cleavage points in April to be featured in the magazine. In one of the four pictures which have been making their way all over the web, she is seen exposing her uncovered hips to the camera and is having her unclothed breasts covered with several necklaces.


This publication for a photograph and a trumpet and Amy both her hands to her eyes seductively holding the camera with staged shows a white corset donning. One with two other pictures lying on the bed wearing a bikini Amy has seen, while the other sports a sexy black organizations of the two shows.

All four Emmy Rossum Photo by Matthias Vriens is a photographer. Details of the April issue, which is on sale next week, the film is an interview with the Journal Star's partner will be in the pictures are painted. A question and answer session with details, Girly and romantic side to him talk about Amy, it's how to be a Homeowner, and how she is afraid of, among other things, his hometown, New York

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“I Told You So” performed American Idol winner Carrie Underwood and Randy Travis Duet

Grand Ole Opry inductee and American Idol winner, Carrie Underwood performed a duet with country music legend, Randy Travis and returned during last night’s success result show. Carrie Underwood's American Idol crossing gets retraced; she really owes it all to Simon, he totally pushed for her in season four and made her go from a farm girl to country's hottest star.



Carrie Underwood comes out in a attractive red dress with a little bow or something on it and a bow in her hair, singing a duet with Randy Travis.

Randy says he had enjoyable being a adviser; big smile. First time they've sung this duet together live Ryan says, "I Told You So."

Man, she really has quite a voice; just the right twangs, very sincere, every word enunciated, and soars amazingly on the chorus. Randy's sitting next to her on a stool playing the guitar; audience is totally quiet, listening. He's watching her carefully as he strums along, a total pro.

He comes in on the second part; gets a 10-second solo before she harmonizes. He's got such a gentle, easy voice; really like it. This is definitely one of the best performances we've seen on the show; nothing like some of the embarrassments of past seasons with over-the-hill singers....

Watch Video Here

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Again Kim Kardashian Playboy magazine shoot in Russia

Back to the future! Playboy recycles 2007 Kim Kardashian shoot in Russia. Kim Kardashian's back on the cover of Playboy! But something looks familiar.



The "Keeping Up with the Kardashians" star models skimpy red lingerie and super-high heels in the February 2009 cover of Russian Playboy.

Kardshian made her Playboy debut in December 2007 in skimpy red lingerie and mile-high heels. 28-year-old's steamy new cover is just a pose (and the white background) away from her last.

While the foreign editions of Playboy are locally produced, are men mag share celebrity photo shoots and stories, a Playboy rep explained. Kardashian has recently begun to receive the following in Russia, which may explain why she Pictorial appeared so late after its debut.

Kim Kardashian and Reggie Bush's Sexy GQ Shoot video-

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Julian Tavarez:Late Night Playboy Signs with Washington Nationals

Julian Tavarez is baseball player. After six months on the shelf, veteran pitcher Julian Tavarez signed a minor-League contract with the Washington Nationals last week. When asked about his decision, he gave this totally awesome moves:

"Why did I sign with the Nationals? When you go to a club at four in the morning, and just waiting, waiting, a 600-pounds look like J. Lo. And for me, this is Jennifer Lopez here. There are four in the morning. For much to drink. So Nationals: Jennifer Lopez to me. "



Now Julian, I'm trying to think of a way to put this delicately, and it is not one. So let me get right to the heart of it: Have you seen your face? You are not attractive. Maybe not on the Ezekial Astacio level, but you are ugly wide League. You do not take home a J. Lo unless there are four in the morning, and she is just there waiting, waiting, and she had too much to drink. Are you picking up what I do down here, boss?

So here is what we've found: You are ugly, angry, marginally talented, and very willing to offend the team that drew you from the garbage heap. It is not a resume that gets you into the Hall of Fame, Julian, but you are a solid candidate for the JSF Tool.
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